A Trip Back in Time... Sewing a "Portrait"

Happy 2012... another year!  Rather than a list of resolutions, a list of UFO's (unfinished quilting objects) to be tackled, I think I just decided to dive right in.
I want to continue honing my quilting skills this year, and am going to continue taking workshops from our AAQG (Austin Area Quilt Guild) speaker series. I've always benefited greatly from the offerings. On Sunday, I attended a workshop by Lola Jenkins, on Portrait Quilting. And it turned out to be not only a good exercise, but gave me some reassurance that skills long unused can be resurrected.

As a child, I remember admonitions that you'll never forget "how to ride a bike" or "how to use a hammer"... etc. I once learned the technique of rendering a portrait, in pastels, watercolor, and even the talent of cutting a silhouette from paper. I wish I could say this lead to a career in the arts, but alas, these talents were buried away, largely unused in my business life that ensued.  I learned and used these skills for 3-4 years in my late teens, as I worked for a subcontractor at Six Flags Over Texas, a "theme park" in the Dallas area. The contractor provided artists for "Art studios" located around the park.

As an "artist" I did quick portraits, in pastels, and watercolors of park visitors who were cajoled into taking 10-20 minutes of their day long park visit to sit for a portrait. Often the motivation was simply to take some weight off their feet and sit down for the time it would take! Young high school and college students were recruited for this largely summer work. Anyone who exhibited enough ability to make a decent line drawing during the job "interview" was hired. A short class on portraiture and the quick technique and we were on the job. I enjoyed the work, and got to be pretty good - if you could catch an individual's defining characteristics, you could end up with a line of people waiting for your work. As commissioned work, the money was good - much better than the usual teen work fare, and it kept me in college tuition for several years...so adapting those skills to that of my current tool (the sewing machine) and technique (free motion quilting) seemed natural.

Throughout the class, I was pleased to see that my old skills of not just drawing, but working on the human face were not lost. Here's the original picture, and the first result on fabric:

The exercise gave me some ideas on working in a little different style - more like "sketching" with the machine rather than just doing outlines.  It is exciting to see the picture emerge.

Here, you can also see my pencil work on the fabric that serves as  my guide for the sewing. I doubt I would ever get comfortable "drawing" directly on the fabric without pre-drawing, but who knows... if I got comfortable enough with the tools and my skills - it might be possible... stay tuned!

For those wondering what's going on here, it's really not as hard as it looks. I "Photo Shopped" the digital picture above into a"posterized" photo to reveal critical outlines. Printed to 8.5 x 11 inches in B&W, I traced the outlines for stitching in fine Sharpie (above) and pencil (version two below). 

The prepared fabric was  stabilized with a fusible interfacing, then layered with a thin cotton batting, and a backing layer. No pinning or basting. Then the drawn lines are sewn over in black thread with black bobbin - using free motion technique.

Overall, I'm pleased so far, though getting those eyes right are always a big challenge, but very important to success.

For more on Lola Jenkins work, visit her website: www.lolasdesignerquilts.com I would highly recommend her for anyone compemplating doing more "out of the box" quilting. A self-taught quilter, she isn't bound by all those "rules" that long time quilters have floating around in our ethos. Her unabashed enthusiasm for her art, and for sharing it others was an inspiration. Her personality was refreshingly different from the usual, more sedate one more typical of those of the past. I applaud the guild for going out on a limb to showcase a talent that doesn't fit the more typical quilter mold.

It's good to get out of the box - even if sometimes it means digging deep to pull out some new/old skills.

Happy New Year Y'all - may your 2012 be full of discoveries and re-discoveries!

Learning a "New" Thing or Two: Cotton Theory and a Good Teacher

I had the great pleasure to attend Austin Area Quilt Guild's "Gift of Quilting" workshops on Friday evening. Unfortunately, I only was able to extricate myself from a single day's work to attend. This wonderful two day event is put on every other year - in between "Show" years. The idea is to provide member-taught workshops, as a reward to volunteers (and members) who work so hard to make the biennial Quilt Show happen.

The workshop I signed up for was a 3 hour reversible quilted Table Topper, made using the Cotton Theory technique. Offered by veteran sewing and quilting teacher Nancy Voegele, I was hoping to not only pick some new quilting skills, but also to see an expert in action.  I was not dissapointed.
Here's my finished piece:

Table Topper: Dinner "Side"

Table Topper: "Breakfast" Side

The project entailed creating a reversible table quilt, the completed size is 15" x 26.5" wide. The technique is very unusual. The individual patchwork pieces are layered, front to back with quilting in between, then quilted, and combined in a most unusual way. Entire quilts can be constructed in this way, with the quilting done in concert with the piecing - eliminating the need to layer and piece the entire quilt - a difficult prospect for many quilters.

So, if you are having difficulty quilting a large quilt, this may be a great way to complete a quilt with just any resonably good quality Sewing Machine.

Another fun aspect to the technique is that it allows you the fun of using those often ignored decorative stitches to provide further embellishment as part of the assembly technique. I used several of the mock "hand embroidery" stitches in the construction process. I also used some of my new found piping skills (from my workshop in March with Susan Cleveland ) to add a small corded piping edgeing to the binding, To further gild the rose, I embellished the binding with a varigated blanket stitch...

 I am VERY happy with the way "DD" performed in this somewhat tricky maneuver.  I used the "blind hem" foot - which rode smoothly over the uneven piped edge with ease. The piping foot handled that chore wonderfully too!  If you've always wondered what those special feet can do for you, this project provided me with pretty compelling proof that the foot makes the difference in stitch quality. Here's a close up of those embellishments:

Decorative Stitch and Quilting Detail

Piped edge and blanket stitched binding - how about those corners?!

I give a big thumbs up to teacher Nancy Voegele, who really kept the class moving along (inspite of one totally unprepared student!). She handled the situation with grace and actually had at least one finished, ready to bind quilt done by a student. I had to add the final two parts to mine - so felt like I really did well in class.  Nancy teaches at a number of locations around Austin, including that cool new hip sewing lounge, Stitch Lab.

I was REALLY happy to have a completed project today - I am so close on several projects, including one full size quilt - stay tuned for an update as they get finished!

- Keep on Quilting...
- Karen