A Trip Back in Time... Sewing a "Portrait"

Happy 2012... another year!  Rather than a list of resolutions, a list of UFO's (unfinished quilting objects) to be tackled, I think I just decided to dive right in.
I want to continue honing my quilting skills this year, and am going to continue taking workshops from our AAQG (Austin Area Quilt Guild) speaker series. I've always benefited greatly from the offerings. On Sunday, I attended a workshop by Lola Jenkins, on Portrait Quilting. And it turned out to be not only a good exercise, but gave me some reassurance that skills long unused can be resurrected.

As a child, I remember admonitions that you'll never forget "how to ride a bike" or "how to use a hammer"... etc. I once learned the technique of rendering a portrait, in pastels, watercolor, and even the talent of cutting a silhouette from paper. I wish I could say this lead to a career in the arts, but alas, these talents were buried away, largely unused in my business life that ensued.  I learned and used these skills for 3-4 years in my late teens, as I worked for a subcontractor at Six Flags Over Texas, a "theme park" in the Dallas area. The contractor provided artists for "Art studios" located around the park.

As an "artist" I did quick portraits, in pastels, and watercolors of park visitors who were cajoled into taking 10-20 minutes of their day long park visit to sit for a portrait. Often the motivation was simply to take some weight off their feet and sit down for the time it would take! Young high school and college students were recruited for this largely summer work. Anyone who exhibited enough ability to make a decent line drawing during the job "interview" was hired. A short class on portraiture and the quick technique and we were on the job. I enjoyed the work, and got to be pretty good - if you could catch an individual's defining characteristics, you could end up with a line of people waiting for your work. As commissioned work, the money was good - much better than the usual teen work fare, and it kept me in college tuition for several years...so adapting those skills to that of my current tool (the sewing machine) and technique (free motion quilting) seemed natural.

Throughout the class, I was pleased to see that my old skills of not just drawing, but working on the human face were not lost. Here's the original picture, and the first result on fabric:

The exercise gave me some ideas on working in a little different style - more like "sketching" with the machine rather than just doing outlines.  It is exciting to see the picture emerge.

Here, you can also see my pencil work on the fabric that serves as  my guide for the sewing. I doubt I would ever get comfortable "drawing" directly on the fabric without pre-drawing, but who knows... if I got comfortable enough with the tools and my skills - it might be possible... stay tuned!

For those wondering what's going on here, it's really not as hard as it looks. I "Photo Shopped" the digital picture above into a"posterized" photo to reveal critical outlines. Printed to 8.5 x 11 inches in B&W, I traced the outlines for stitching in fine Sharpie (above) and pencil (version two below). 

The prepared fabric was  stabilized with a fusible interfacing, then layered with a thin cotton batting, and a backing layer. No pinning or basting. Then the drawn lines are sewn over in black thread with black bobbin - using free motion technique.

Overall, I'm pleased so far, though getting those eyes right are always a big challenge, but very important to success.

For more on Lola Jenkins work, visit her website: www.lolasdesignerquilts.com I would highly recommend her for anyone compemplating doing more "out of the box" quilting. A self-taught quilter, she isn't bound by all those "rules" that long time quilters have floating around in our ethos. Her unabashed enthusiasm for her art, and for sharing it others was an inspiration. Her personality was refreshingly different from the usual, more sedate one more typical of those of the past. I applaud the guild for going out on a limb to showcase a talent that doesn't fit the more typical quilter mold.

It's good to get out of the box - even if sometimes it means digging deep to pull out some new/old skills.

Happy New Year Y'all - may your 2012 be full of discoveries and re-discoveries!

Learning a "New" Thing or Two: Cotton Theory and a Good Teacher

I had the great pleasure to attend Austin Area Quilt Guild's "Gift of Quilting" workshops on Friday evening. Unfortunately, I only was able to extricate myself from a single day's work to attend. This wonderful two day event is put on every other year - in between "Show" years. The idea is to provide member-taught workshops, as a reward to volunteers (and members) who work so hard to make the biennial Quilt Show happen.

The workshop I signed up for was a 3 hour reversible quilted Table Topper, made using the Cotton Theory technique. Offered by veteran sewing and quilting teacher Nancy Voegele, I was hoping to not only pick some new quilting skills, but also to see an expert in action.  I was not dissapointed.
Here's my finished piece:

Table Topper: Dinner "Side"

Table Topper: "Breakfast" Side

The project entailed creating a reversible table quilt, the completed size is 15" x 26.5" wide. The technique is very unusual. The individual patchwork pieces are layered, front to back with quilting in between, then quilted, and combined in a most unusual way. Entire quilts can be constructed in this way, with the quilting done in concert with the piecing - eliminating the need to layer and piece the entire quilt - a difficult prospect for many quilters.

So, if you are having difficulty quilting a large quilt, this may be a great way to complete a quilt with just any resonably good quality Sewing Machine.

Another fun aspect to the technique is that it allows you the fun of using those often ignored decorative stitches to provide further embellishment as part of the assembly technique. I used several of the mock "hand embroidery" stitches in the construction process. I also used some of my new found piping skills (from my workshop in March with Susan Cleveland ) to add a small corded piping edgeing to the binding, To further gild the rose, I embellished the binding with a varigated blanket stitch...

 I am VERY happy with the way "DD" performed in this somewhat tricky maneuver.  I used the "blind hem" foot - which rode smoothly over the uneven piped edge with ease. The piping foot handled that chore wonderfully too!  If you've always wondered what those special feet can do for you, this project provided me with pretty compelling proof that the foot makes the difference in stitch quality. Here's a close up of those embellishments:

Decorative Stitch and Quilting Detail

Piped edge and blanket stitched binding - how about those corners?!

I give a big thumbs up to teacher Nancy Voegele, who really kept the class moving along (inspite of one totally unprepared student!). She handled the situation with grace and actually had at least one finished, ready to bind quilt done by a student. I had to add the final two parts to mine - so felt like I really did well in class.  Nancy teaches at a number of locations around Austin, including that cool new hip sewing lounge, Stitch Lab.

I was REALLY happy to have a completed project today - I am so close on several projects, including one full size quilt - stay tuned for an update as they get finished!

- Keep on Quilting...
- Karen

Another Quilt Festival...2010

Well, I haven't anything to say for myself as a blogger. While I've been busy with many projects (including "quilty" ones), I've definitely NOT been keeping up with my blog - so here goes...

A Baby Quilt EVERY Month...

I continue to work on charity baby quilts for the guild... my ever-favorite pattern for these quilts is still the "Super Sized Nine Patch" pattern by Anita Grossman Soloman... nothing is simpler! Two cuts (and trim) on three yards of fabric results in three lovely 42" baby quilts. Of late, I've taken to putting them together "pillowcase" style - top and backing placed right sides together with the Warm and Natural Batting on the bottom. I trim and sew almost all around the edge, leaving about 6-8 inches open and turn it inside out. The opening is sewn closed with machine stitching. The result is a neat edge that needs no binding! I use my sewing machine's (Husqvarna Viking Topaz 30) decorative stitches to sew a "faux" decorative "binding" around the edge, and quickly quilt with an  all over pattern. These little quilts can be put together in just a couple of hours, and are WONDERFUL PRACTICE for your free motion quilting!

Here's a link to download this little pattern... it deserves to be in every quiltmaker's  quick quilt projects "bag of tricks"!

http://www.quiltmaker.com/patterns/details.html?idx=184

Another QUILT FESTIVAL - Houston 2010

Yes, another fall means it's time to soak up the biggest quilt show in the world - or at least in the US... The International Quilt Festival occurs at the end of each October - this week for the first time AFTER Halloween, so no quilters were dressed in Halloween finery - which, in past years adds to the creative interest. As always, there is so very much creative energy, so much to look at, so many colors, one almost get's "overdosed" with it all. With over a thousand quilts to see... it results in a rewarding but tiring day. This year I was accompanied by my good friend Writer Russ Barnes, who is exploring Quilting from his perspective as an active board member of the American Creativity Association. Look for more info with links to his work on this subject in the future.

This time, just a day trip, so my pictures of the event were limited, but, I was lucky enough to see Sharon Schamber standing in front of her unprecedented THIRD "Best in Show" winning quilt. Titled "Mystique"... the stunning work, while quilted on a long arm machine, exhibited a stunning amount of hand work, with tiny bias cording tubes arranged lace like to hold the sectioned, medallioned quilt together. The applique work was soooo fine! visit the http://www.quilts.com/ web site to see the professional pictures.

Here's my favorite of Sharon turning the quilt back forward for us to take a peek - of course the back was almost as exciting as the front!

Here's Russ in front of what was a pieced and appliqued work.

And my personal favorite, a work of whimsy (and PERFECT appliqued circles) by Becky Goldsmith. It won a Judges Choice award!

Again - visit the Quilts Inc website: http://www.quilts.com/ for really great pictres of the winners!

- Until next time  - Karen Alexander, Austin, Tx

Waiting for Snow...

The forecast today calls for a 60% chance of Snow... indeed a true "chance" occurence here where snow is a true novelty.  The clouds of the morning however seem to be lifting a bit, and we have reports of snow SOUTH of us... so, we may miss it. Here's a nice picture of the fall leaves from the studio a few days ago... The leaves have all but fallen now, but the light was gorgeous that day, shining through the brilliant remains of fall. It is an Eastern Gum, and despite the terrible heat and drought of summer did put on a nice "show"...

But with the morning off, it was time to start on cutting those charms for an upcomind workshop with Gyleen Fitzgerald. Called Humble Tumbler, we'll learn to make a simple, small charm quilt, choosing two expanded "colorways". What else could I have picked but red and green! My collection of Christmas fabrics (and red and green in general) will more than fill the bill.

I'm hoping to learn a lot from Gyleen, I'm especially interested in her color theory, but even more so on her self-published works. She has some lovely books for children, and a book of quilts and poetry that looks like a great addition to the library - maybe even a nice gift for someone special!
Here's a link to her website ...  http://www.colourfulstitches.com/
She also has a book on "finishing" something I've been struggling with of late. More on that subject soon.

Here's a look at the worktable today: a typical spread of tools. The reds, the greens and those that might go both ways.

We are supposed to think about "expanding" the color way to include adjacent colors on the color wheel, but I think it may go to far beyond my Christmas theme.. will see where it goes tomorrow.

I'm trying the ergonomic rotary cutter of late  (upper left of the pic) to try to reduce pressure on those joints that are NOT likeing the advent of winter!

Well, as my hubby says, it's off to "sewing machine world for an evening of work...still NO SNOW :-(

A Quilter's Work is Never Done....

Way past time to post my Charity Quilt turned in at the February guild meeting. With all the mess going on last month, I made it the easy way, with one of the little "kits" our guild "Baby Bundle" committee make available. The kits are made using Anita Grossman Solomon's fabulously simple "Super-Sized Nine Patch" pattern. yep, 9 pieces, easily cut from strips across the width of a yard of fabric, or from fat quarters... sooooo easy. A great way to put together a quilt in an afternoon. If you do a "pillow turn" rather than a binding, and tie rather than machine quilt it's even easier. Though I feel like I can free motion something like this as fast as my fumble fingers can tie it!

These little quilts, under 42" square, are a great way to practice your free motion quilting too!

I decided to quilt some "cloud-like" puffs... and a few balloons in the corners to go along with the pattern in the fabric.

This simple pattern can be found for download online in the free patterns at the Quiltmaker magazine site:

http://quiltmaker.com/patterns/patt230/

By the way, this site has a fabulous collection of various simple patterns for charity quilts - all easily downloadable. Many are soooo simple! You have no excuses not to make that pattern for your guild's charity effort this month!

Thanks to Anita for sharing this pattern with the guild!